Thursday, December 13, 2012
Saturday, December 8, 2012
Friday, December 7, 2012
RIP, Oscar Niemeyer
A Legendary Modernist - Slide Show - NYTimes.com
Photo: Evanisto Sa/Agence France-Presse--Getty Images |
Thursday, November 22, 2012
Concert Hall Research
All semester I have been writing a paper on concert halls, specifically spaces designed for symphony orchestras (not opera or theater or dance, which really have different requirements). For most of the paper, I have been writing about Boston's Symphony Hall, Avery Fisher Hall in New York, and the Berlin Philharmonie. But now that I am in the final section of the paper, which addresses contemporary and future halls, I very much want to share some buildings with you.
Elbe Philharmonic--Herzog and de Meuron--Hamburg (under construction):
The Elbe Philharmonic Hall in Hamburg is currently under construction, and has had some delays, due to some technical challenges with its roof. The project is an adaptive reuse of a warehouse (former coffee bean warehouse!) along the Elbe River. The warehouse will become support spaces such as parking garages, etc. On top of the warehouse is where the fun happens. There will be an open air plaza over the warehouse and under the new construction, which is referred to as "The Crystal." The Crystal will house apartments, a hotel, retail and restaurant spaces in addition to a concert hall, which is basically a more fluid version of the Berlin Philharmonie (single room, no proscenium, theater in the round). I am so excited about this building that I'm pretty much going to plan a trip to Germany sometime after it is completed (looking like 2015).
Miami New World Symphony--Frank Gehry--2011
Frank Gehry's New World Center opened in Miami in 2011. It is much smaller than the typical orchestra performance space, seating ~750 instead of the typical ~2200 to ~2600. The space has tremendous flexibility, with removable seating groups surrounding a central stage. It features 5 large projection screens (that also serve as acoustic reflectors) that may be used for video presentations to accompany the musical performance. But perhaps most remarkable is the adjacent 2.5 acre SoundScape park, designed by the Dutch firm West 8, where the public can view outdoor simulcasts ("Wallcasts") of performances. The sound outside is enhanced by an ERS (Electronic Reflective Energy System), specifically developed for classical music, which simulates the reflected sound one would experience inside the hall.
Elbe Philharmonic--Herzog and de Meuron--Hamburg (under construction):
Copyright Herzog and de Meuron |
Copyright Herzog and de Meuron |
The Elbe Philharmonic Hall in Hamburg is currently under construction, and has had some delays, due to some technical challenges with its roof. The project is an adaptive reuse of a warehouse (former coffee bean warehouse!) along the Elbe River. The warehouse will become support spaces such as parking garages, etc. On top of the warehouse is where the fun happens. There will be an open air plaza over the warehouse and under the new construction, which is referred to as "The Crystal." The Crystal will house apartments, a hotel, retail and restaurant spaces in addition to a concert hall, which is basically a more fluid version of the Berlin Philharmonie (single room, no proscenium, theater in the round). I am so excited about this building that I'm pretty much going to plan a trip to Germany sometime after it is completed (looking like 2015).
Miami New World Symphony--Frank Gehry--2011
Copyright The New Yorker |
Copyright Tampa Bay Times |
Also worth looking at: Paris Philharmonie (Jean Nouvel), Danish Radio Concert Hall (Jean Nouvel), Kyoto Concert Hall (Arata Isozaki), but we'll have to talk about those another day, because I've got to get back to my paper.
Sunday, November 18, 2012
Monday, October 29, 2012
Reception Desk for a Yoga Studio--UPDATE
I reworked this by putting in a Podium rendering as a transparent layer. I think it adds more definition to the desk structure.
What do we think? Better? A little less free and sketchy, but I think appropriate for reading the complexity of the desk.
===============================================
This is maybe the second time I've started with a hand rendering and *then* brought it into Photoshop. I think it is overall reasonably effective, but due to the complicated geometry of the desk itself, I wish I had left the lines from the original Sketchup export in there for increased definition. I tried putting them back in after the fact, but I'd already departed too much with my colored pencil work. Lesson learned. I may hit this again with a ruler and my Sepia Prisma pencil.
What do we think? Better? A little less free and sketchy, but I think appropriate for reading the complexity of the desk.
===============================================
This is maybe the second time I've started with a hand rendering and *then* brought it into Photoshop. I think it is overall reasonably effective, but due to the complicated geometry of the desk itself, I wish I had left the lines from the original Sketchup export in there for increased definition. I tried putting them back in after the fact, but I'd already departed too much with my colored pencil work. Lesson learned. I may hit this again with a ruler and my Sepia Prisma pencil.
Labels:
contract design,
furniture designs,
Photoshop,
portfolio,
rendering,
SketchUp
Friday, October 26, 2012
Sunday, October 14, 2012
Portfolio Site @ Carbonmade
I have established a clean portfolio site (sans my free-form verbiage) over at Carbonmade. Take a look!
Tuesday, October 9, 2012
In Which I Attempt to Conquer PODIUM...
I took a timeout last Friday with a friend from school to sit down and try to master Podium, the rendering engine for SketchUp (well, one of several).
I have a masters in Engineering Physics and worked for 12 years as an optical engineer. And...I'm finding that only marginally helpful. I guess what makes these software programs tricky is the 7 to 15 minute rendering time each time you tweak a light or a setting means that overall progress towards optimizing your rendering is rather slow. But the results are starting to be pretty amazing. For comparison, see the SketchUp/Photoshop versions from this post.
I'm still working on a couple of these. I blatantly cheated at getting more light into the second perspective by making the ceiling transparent, which makes the shadows not rigorously correct, for example. And I'd like to increase the brightness and contrast in the entrance perspective (which may just be a Photoshop job).
Anyway, for this former Optical Engineer, one thing is certain: Messing with light rendering engines is pretty addictive and it was hard to pull myself away to work on other things! I could easily do this all day. It's a really fun fusion of my former and future careers.
I'm still working on a couple of these. I blatantly cheated at getting more light into the second perspective by making the ceiling transparent, which makes the shadows not rigorously correct, for example. And I'd like to increase the brightness and contrast in the entrance perspective (which may just be a Photoshop job).
Anyway, for this former Optical Engineer, one thing is certain: Messing with light rendering engines is pretty addictive and it was hard to pull myself away to work on other things! I could easily do this all day. It's a really fun fusion of my former and future careers.
Labels:
contract design,
DWD Rework Project,
Podium,
portfolio,
rendering,
SketchUp
Furniture and Detailing Studio
This semester I am taking Furniture and Detailing Studio with the excellent Debra Folz.
Here's some drawings!
Here's some drawings!
Friday, July 27, 2012
Saturday, July 7, 2012
Saturday, June 30, 2012
Wednesday, June 27, 2012
Monday, May 21, 2012
Paper Countertops On Apt Therapy
Cool! My comment on our Richlite countertops is in a little comment summary in Apt Therapy's countertop guide.
I do continue to love the stuff. I hate setting glassware down on stone and prefer the warmer, softer feel of the paper. But it is definitely not for fussy people. You have to be someone who can live with a surface that picks up a patina over time. I find it very visually calming, also. No glare, no crazy granite speckle.
I do continue to love the stuff. I hate setting glassware down on stone and prefer the warmer, softer feel of the paper. But it is definitely not for fussy people. You have to be someone who can live with a surface that picks up a patina over time. I find it very visually calming, also. No glare, no crazy granite speckle.
Friday, April 27, 2012
Edge Lighting Scope LED
I am completely obsessed by these Scope LED track heads by Edge Lighting. They have an adjustable beam angle, so they can be used for accenting objects or washing a wall, or flooding a space. Three finishes available. 9.3W power usage, but equivalent to a 42W or 30W halogen, depending on the beam angle.
Wednesday, April 25, 2012
FLOR is coming to Boston
Yes! We'll soon be able to buy sustainably manufactured and super cool FLOR carpet tiles in Boston, on Clarendon Street. I have this stuff playing various roles in 5 rooms of our house, plus the stairs. You could say I'm a fan. Plus, they are a great company and have pledged to get their environmental effect to net zero by 2020.
Wednesday, April 11, 2012
"Sidewalk Science" from Slate
"Piano Stairs" in Nanjing, China -- Yeah, I think these might violate US building codes |
Tuesday, April 3, 2012
Friday, March 23, 2012
New Yorker piece on Roger Thomas and Casino Design
Abstract and snippet here.
I admire Mr. Thomas's process and sketching habits, and enjoyed reading about the evolution of casino design. But I am still a snobby New Englander with no plans to ever set foot in Las Vegas.
Page Image from The New Yorker (web) |
Friday, March 16, 2012
Piet Hein Eek
(Photo: Piet Hein Eek) |
(Photo: Piet Hein Eek) |
Labels:
furniture,
green materials,
residential design
Saturday, February 11, 2012
Wednesday, January 11, 2012
Perspective of Hotel Bar (in Photoshop)
This perspective was exported from SketchUp and then enhanced/augmented in Photoshop, and then Prismacolor pencils. Side note: Do you realize how difficult it is to find a picture online of a bartender who is not either a) old-timey with handlebar mustache and bowtie or b) dressed like she's selling more than drinks? When I found this woman, she was like an angel sent from heaven, lemme tell ya.
Labels:
Boutique Hotel Project,
contract design,
Photoshop,
portfolio,
rendering,
SketchUp
Subscribe to:
Posts (Atom)